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High-Precision Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction
Behringer SUPER-X PRO CX3400 V2 Profesyonel Crossover
Professional stereo 2-way/3-way/mono 4-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave Individual Limiters on each output for optimal loudspeaker protection Adjustable time delay for phase alignment between drivers CD horn equalization for constant directivity horn compensation Absolutely flat summed amplitude response, zero phase difference “Low Sum” function provides mono output for subwoofer operation Individual output Gain controls for all bands Individual output Mute switches for easy band adjustment
Individual Phase reverse switches for instant phase correction Switchable 25 Hz Low cut filter on each input for low-frequency driver protection Servo-balanced and gold-plated XLR connectors for all inputs and outputs Ultra-high precision potentiometers for ultimate accuracy and repeatability Illuminated switches for secure operation in dark stage environments Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption 3-Year Warranty Program* Designed and engineered in Germany
SUPER-X PRO CX3400 V2 The CX3400 stereo 2-way/3-way/ mono 4-way crossover provides the ultimate in high-precision audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. CX3400 features include: Limiters on all crossover outputs for optimal loudspeaker protection; an adjustable Time Delay for proper phase-alignment of the drivers; High-Frequency (HF) horn equalization for constant-directivity compensation; and a mono “Low Sum” Output (stereo modes only), which is ideal for your subwoofer applications.
What’s a Crossover? Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!) That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.
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